Proscriptor McGovern’s Apsû

 

1. Amenta: Accelerando: Azyn including Hierophantasmal Expounder

[Colin-Tocquaine/Givens/Gonzalez] {3:46}
 

Verse I

Cloud–compelling, slit in twain! Sharpening the stone! He is the catalyst Octinomos

Caduceus, staff in hand! Hypermnesia! Two adders: one white and one black

Grade of logos, hark in twain! Echoing the words! He is the mirage of the Treble Will

Silver tippet, switch in head, Cataplexia! Double quills: one dull and one sharp

     

Verse II

His necrophageous force appears, in the temper, under a certain guise:

His meritorious exposé bares the wisdom over a murky bize

 

Verse III

Uttermost, unity proves the gemmed azure is naked

He outshines with expenditures of energies

Futhermost, amity veils his serpent-soul divided

He misshapes back to indrawn criticality  

 

Chorus I

Entereth between the myth

Uttereth betwixt the mouth

Exiteth between the Ma’at

I am the Phantasmal Expounder

Exiteth between the naught

Uttereth betwixt the night

Entereth between the Nox

I am the Hierophant Agitator

 

Verse IV

Over certain guises, in fits of ire, his mortification force appears 

The stélé of his exposé

 

Verse V

Uttermost, unity proves the gemmed azure is naked  

He misshapes back to indrawn criticality 

 

Chorus II

Entereth between the Beth

(And the star of Set)

Uttereth betwixt Ma’at

(O’ Sirius)

Exiteth between the Moth

(The falling Sothis)

I am Hierophantasmal

 

Conclusion

Over certain guises, the force appears

________________________________________________________________

 

PERSONNEL:

 

Proscriptor – Drums/Percussion, Digital Synthesizers, Maestro Echoplex & Voices (Protagonist/Dramatic Versus Omniscient/Interior Monologue)

Vaggreaz – Electric Lead/Rhythm/Bass Guitar

Alex Colin-Tocquaine – Electric Guitar Soloist

​

 

2. Esoterically Excoriating The Exoteric

[Dorian/Givens/Williamson] {4:36}

 

Verse I
By the power of the sacred dreaming, and, within the conclaves

The lights of the body are the eyes; therefore, they are glimmering

 

Elision/Supposition I
Extrication from the thralldom

Verse II 

Oily splashes lurking, lapping and licking the rotten timbers of the jetty  

Faint green spirals of froth coiling upward on the pillars,

While the hallmark traces the fumes of a spasm awakening

 

Chorus

Nightmare in the eyes intensify

They wax, increase and they outshine

And still those slippery steps usher down
Down + down = deeper down

Chimera silhouettes the sky: encroaching the scum–laden tide

 

Verse III

Vapours of paradise, oblique and against the light

The diagonal reaches the pike, yet the parapet’s glacis height

Repeat Chorus 

Repeat Verse III

 

Verse IV  

Infinite billowing

Unlock the brightness it locks

In-betweeness gathers

Casting off disembodied emanations

Frenzy of distraction

Radiance covers flesh

 

Verse V            

Darkening to a silhouette against the pallid, azure sky

The brazen moulding broke away revealing a slab of the squirming worms

 

Elision/Supposition II

The blare of diffidence is also the voice of Apsû

No gulf too wide, no cleft too deep, flung into lows and goaded onto highs

Elision/Supposition III

No gulch too vast, no rift too broad, churns into depths and narced onto heights

 

Elision/Supposition IV

Unctuous waters, turbid with dreams degenerate the last baluster

 

Elision/Supposition V

The blare of diffidence is also the voice of Apsû

 

Repeat Verse II 

Repeat Chorus
________________________________________________________________

PERSONNEL:
 

Proscriptor – Drums/Percussion, Digital Synthesizers, Maestro Echoplex & Voice (Omniscient/Interior Monologue)

Vorskaath – Digital Synthesizers & Mellotron

Vaggreaz – Electric Lead/Rhythm Guitar

Ezezû – Electric Bass Guitar

​

​

3. Quasaric Pestilence

[Eriksen/Givens/Gonzalez] {3:29}

 

Prologue

Thus dreamt – I brought fresh fevers from the skies to disguise

I’ve known the secret door opening the “Outside” within the other side

​

Verse I

Thus hallucinated – I was the glare of the red flame

I knew, in presence, I was the Khab within the fervid Khu

​

Bridge I

Ra–Hoor–Khuit = Current

​

Verse II

Grappled the East at dawn (Ra)  

Crowned art self with splendour of the unremembered

Fronted the South at noon (Ahathoor)  

Honoured with the grandeur of the undetected  

​

Verse III

The hawk–headed fey was within the skull of the man

I waxed the purple paean into spatial gateways: an accolade

Ophidian’s flux was made from aged shells

I jinxed an old sweetness, reddish red, to make the grade

 

Chorus

Tejolingam

Cingulam

Intricate

Deflagrate The Spectres Of The Legion Blessed                 

Equinox 

Noumenon 

Exasperate The Shining Ones Of The Pestilence

​

Bridge II

Nod to thee, o' mighty Kephra! The Sixtystone

​

Verse IV

Thus delirious – I was the word of the Zainion  

I knew, in absence, I was the glyph within the fourfold Deep

​

Epilogue

Thus slept – I brought malady from the skies to disguise

There was a secret door opening the “Inside” within the other side

​

Bridge III

Current of Ma’at = Aum Ha

​

Verse V

Marked by the star from Ixaxaar's lunar womb  

I was the inhaled speaker robed with the royal, lion's skin
Aditi, and unity, of Mentu’s force   

Known to Lam, with scents and tastes, wrapped in cloth

​

Chorus II

Tejolingam   

Cingulam

Intricate

Deflagrate The Spectres Of The Legion Blessed                    

Equinox 

Noumenon 

Exasperate The Shining Ones Of The…

Tejolingam (Rutilant)

Cingulam (Of Mercury)

Intricate (Sacred Masque)

Deflagrate The Spectres Of The Legion Cursed (Throng Accursed)          

Equinox (Ra Divine)

Noumenon (Of Hexagon)

Exasperate The Shining Ones Of The Pestilence
________________________________________________________________

 

PERSONNEL:
 

Proscriptor – Drums/Percussion, Maestro Echoplex & Voices (Protagonist/Dramatic Versus Omniscient/Interior Monologue)

Vaggreaz – Electric Lead/Rhythm/Bass Guitar

Rune Eriksen – Electric Guitar Soloist

​

 

4. Mirroracles

[Friedman/Givens/Gonzalez] {3:57}

Verse I

Reflecting initiations of a new aeon

Vibrantly, the whole planet must be bathed in blood

Echoing instigations to the pith of mien

Garishly, the sixth sphere must be…    

​

Pre–Chorus

Refulgent < Luminous > Effulgent  

​

Chorus

Oracles are victories of the vision

Visions of the susurrant  

Susurrant chanting towards the science  

Sciences of Hod’s gumption

Tiphareth and the Daäthian beyond  

Beyond the zone of Yesod

Mirroracles are victories of the vision

O’ Lux–Nox: Gnosis: Ojas  

 

Verse II

Ratiocination of the Kalas, I behold myself in crevasse  

Existential Manichaeism, I meet myself in otherness

​

Verse III

The following, specious eiszeits are mauve, grey, black and dazzling white

Each represents light, darkness and the two twilights of shade and mist

​

Verse IV

They annihilate contingency: routing values, forms and sanity

They trample into nihility like a millipede’s thousandth footstep

​

Verse V

The mass of the mirror introduces something lowering, fratricidal and tornadic

The dazzling white light gleams like a mass of maggots: it passes with a touch of the spiritual directive

​

Repeat Pre–Chorus

Repeat Chorus
________________________________________________________________

 

PERSONNEL:

 

Proscriptor – Drums/Percussion, Maestro Echoplex & Voices (Omniscient/Interior Versus Protagonist/Dramatic Monologue)

Vaggreaz – Electric Lead/Rhythm/Acoustic/Bass Guitar

Ross Friedman – Electric Guitar Soloist 

​

​

5. In–Betweeness Gateway Commuters
[Dorian/Givens/Williamson] {5:26}

Prologue
The following formality was the formulae of the wayfaring

Verse I
Founder of the Zonei is the wanderer
Ašimbabbar’s the rank and his seal is first
He bears a staff of lapis–lazuli
Aedo Ooddo
He balances on the trapeze of tides
Ma–ion Marma
As the new moon appears above cloud–mottled skies,
He lauds and celebrates with a gaul–headed masque
Nanna jubilates the wrenching sound of screams
The parchment stamp is wrapped in a square of the finest silk,
Yet decay
He fosters a crown of sixty–six horns
Vide Supra
His essence is of quicksilver
As the inner planet outlines mould–mandalas,
He swoops with the vulture upon spewed carrion:
An interchangeability of the void–forms and their signs

Verse II
Be exorcised (by Nergal’s continuum)
The sole temper (who dwelt in the Cutha)
Be ostracized (by Queen Ereškigal)
O’ Sultana ('twixt stars twin unto sight)
Be unrealized (by Ningišzida’s asp)
The Krone–Bearer (of the intersection)
Be ossified (by Namtar and the eye)
O’ Nagallu (he of the grand array)
Omit the glyphs, of totality, in between the automatic augury

 

Verse III
Sin flaunts epizeuxis

He brays nocturnal grift

He hauls vast petulance

Sin greets Nychthemeron

No ray of sunlight will strike the seal

No flare of sunlight should strike the stamp

Lest its control be rendered

 

Verse IV

Namrasit

He steers tautology

He proves pleonasm

Sin meets Nychthemeron

All beams of moonlight shall strike the seal

All shafts of moonlight should strike the stamp

Lest its command be modeled

A “Rebus Sensation” forever links in the “Swapna Dance”

 

Verse V
Hušbisa, the steward, rings a major hand bell, which tantalizes the pre–abyssal syndrome
Šaršarbid, the butcher, forms a terror congress that intimidates the pre–abyssal syndrome
Ètana, the vizier, allows the eagle to eat the serpent’s children = pre–abyssal syndrome

 

Verse VI
The Deep Ones had steered Inanna once

The chanting and the glugging of sluggish water combined to contrive twice

The duskiness of the swampland was redolent of mephitic vapours: triplicate

Permutational Vectors

Non–Modality Being

Then, the gateways, in–between, became settled within ancient covenants 

Epilogue
“Én–du–gu ka–ga ḫé–gál –

Šìr–gu géštu–ge na–an–dib–bé.

Gu–kur silim–éš du–ga–gá–kam,

Inim ap–sû–ke mu–ši–gá–gá–a–àm.”

 

Interpretation

“My songs: let them be in your mouths – 

My hymns from the knowledge may not fade away.

The objective of my might is praised,

And the words, which Apsû has made, will be available to me.”
________________________________________________________________

 

PERSONNEL:
 

Proscriptor – Drums/Percussion, Digital Synthesizers, Maestro Echoplex & Voices (Omniscient/Interior Versus Protagonist/Dramatic Monologue)
Vorskaath – Analogue/Digital Synthesizers & Mellotron
Vaggreaz – Electric Lead/Rhythm Guitar

Ezezû – Electric Bass Guitar

​

​

6. Jupiter In Capricornus  

[Dorian/Eriksen/Givens/Williamson] {1:48}

 

Chorus I  

O’ coiled, constricted and chosen

O’ tortured, twisted and twined

O’ lecher, anfractuous and sinuous

 

Bridge

Alarmed

Jupiter

In

Capricornus

​

Chorus II

Coiled, constricted and chosen

Tortured, twisted and twined

O’ serpent, anfractuous, sinuous and circuitous

 

Verse I

Flash forward on the bema’s fire

Fizzling once: hissing thrice: concinnity

 

Verse II

Bind the charmer

Mingle in the mocking measure and bind the ethos in the tether

Sound the sleeper

Be deference, deity and immortality   

Scale the armour

Susurration, faint words and the curved are inferred
The death is the naming of that name

 

Repeat Chorus I

Repeat Bridge

 

Conclusion 

The bifurcated circles are within the lemniscate

________________________________________________________________

 

PERSONNEL:
 

Proscriptor – Drums/Percussion, Maestro Echoplex & Voice (Omniscient/Interior Monologue)

Vorskaath – Analogue Synthesizers & Mellotron  

Vaggreaz – Electric Lead/Rhythm Guitar

Rune Eriksen – Electric Guitar Soloist  

Ezezû – Electric Bass Guitar

​

​

7. Dedicated To Thoth, But Azathoth Wasn’t Listening (A Necroloquy)

[Givens/Gonzalez] {3:28}
 

Verse I

Hence, Azathoth was not listening, so this is dedicated to Thoth

Eighteen reversed is the number to the Seat of Set or the Stone

“No turning back,” comports the leap, of the Copula Formula

​

Pre–Chorus

Both idols are enshrined within the nucleus,

But the Starry Wisdom Sect is nowhere to be found

 

Verse II

Hence, Azathoth was not listening, so this is dedicated to Thoth

The eighty-first instauration is the knurl to a diamond  

“Par excellence,” with plate and reed, connects the ensorcellment

 

Chorus

They share the Hexecontalithos Apotropaism linked to Khem,

But one’s blind whilst the other’s possessing prolific thaumaturgy 

​

Bridge

Agents of the Ubbo Sathla: centralized

They function in the Ibt Al Ghauzi: hypnotized

Two hidden doors to their own source: forgotten

They emerge from swamp quagmires: begotten

 

Verse III

Hence, Azathoth was not listening, so this is dedicated to Thoth

Eighteen revised is the secant of Taphthartharath

“Shut up and bound,” it is declared, Shiva’s shava without skakti

 

Repeat Chorus x2

________________________________________________________________

 

PERSONNEL:
 

Proscriptor – Drums/Percussion, Maestro Echoplex & Voice (Omniscient/Interior Monologue)

Vaggreaz – Electric Lead/Rhythm/Bass Guitar

​

 

8. Caliginous Whorl
[Givens/Gonzalez/Williamson] {3:22}

​

Verse I
Thee I evoke, the one
Thee I entreat, the range
Thee, that didst create the shrill stridulation
Thee I raise Ani – Ego
Thee, that didst devise the dextrorotation
Thee, that didst open the quashing ogle

​

Verse II
Thou art Malkunofat: the lead of all registers
Thou hast the excrement between the just and unjust
Thou art the hulking plyies: abode of the Deep Ones
Thou hast the mesial shell betwixt the grim and the chrome

​

Chorus
In the stance of thee is the flesh self–containing
Nucleus of the verisimilitude is impure
Habitat Rancor – The Caliginous Whorl

​

Verse III
Hear thou me, for I am compelling
Hear thou me, for I am leering
Hear thou me, for I skim the spasm of the serpent’s tongue
Here I raise Ayin – Trance – Ego – Vision
Hear thou me, for I wear the mer–masque of practice
Here I raise Khep–Ra – Basque – Apparition

Verse IV
This is the XXIII: the hiss of the Hanging Man
This is the congenital between the coition

​

Repeat Chorus

Verse V
Immoral Oracle
Exasperating aspirant engrosses me
Skyring
I am He
Casting
I am He
Tracing
I am He
Binding
I am He
Probing
I am He
Querying
I am He
Tinging
I am He
Citing
I am He
Skyring
I am He

 

Verse VI
A circumambulation, yet the levorotation hull returns to its guises
(Then, dematerializes)

​

Repeat Verse II (Abridged)
Thou art Malkunofat: the lead of all registers
Thou hast the excrement between the just and unjust

Repeat Chorus (Abridged)
The Caliginous Whorl

 

Repeat Verse V (Abridged)
Immoral Oracle

________________________________________________________________

 

PERSONNEL:
 

Proscriptor – Drums/Percussion, Digital Synthesizers, Maestro Echoplex & Voice (Protagonist/Dramatic Monologue)

Vaggreaz – Electric Lead/Rhythm Guitar

Ezezû – Electric Bass Guitar

​

​

9. The Coagulating Respite
[Dorian/Givens/Williamson] {2:44}

 

Chorus I

I Am Unicursal Menstruum: Prima Materia

Quintessential Acth Vel – Azoth: An Anima

 

Verse I

Upon the triangulum and atop the tacks of Ararita,
I go and becomest the yare, Lapidem Inaugurator

By the grand Arcanum of the Hexagrammaton,

I give flesh and feeling, carnality, unto Tiphareth

I am the acid that eats, that gnaws into the steel, unto the soul of Sol

 

Bridge I

From calcination, the welkin hatches the williwaws now

 

Verse II

I fill the Hexalphas with the inmost oils of V.I.T.R.I.O.L

Through the means of operation and omneity,

Permutation is two and the one is my idiosyncrasy   

I am the helical gust, which clambers up the steep of time

 

Bridge II

From calcination, the welkin propagates the williwaws    

To coagulation, I find amity and balance: it is within the hidden stone  

​

Chorus II

White Agglutination: Adeptus Coquetting (The Within)

Incorruptible Passion–Play: Hovering (The Within + The Without)  

 

Post–Bridge

In Kether, all is a festinated impulse

And with Daäth, the hatch between pure impulse and subtle phenomenon is formed (The Within)

Yesod dominates and Tiphareth compensates the Notariqon (Ibid) while Malkuth stroves

It is within the hidden stone

________________________________________________________________

 

PERSONNEL:
 

Proscriptor – Drums/Percussion, Digital Synthesizers, Maestro Echoplex & Voice (Protagonist/Dramatic Monologue)

Vorskaath – Mellotron & Signal Generator

Vaggreaz – Electric Lead/Rhythm Guitar

Ezezû – Electric Bass Guitar

​

​

10.  Prana: Therion: Akasha

[Dorian/Eriksen/Givens/Gonzalez] {2:47}

Verse I

As I advance to the East plane, I am now borne on these blue wings blazing

I will satisfy Ararita once my prayer tongue licks the scaling triangle  

 

Chorus I

Lapis–Lazuli and the lambent flames are the solvents of two

I shall return to the Centre, and so to the Centre of All

Prana and the immemorial splendour proceed to arise,

Yet the Sapphire of the Star is bovine, there is no light in sight – not in the shrine

 

Verse II

In the West, Microprosopus connects

As reconciler, I am the one who arbitrates between the ingeniums   

 

Chorus II

Lastly, at Midnight, let me greet the Sun facing front (fronts the sign of his grade)

Let me feel the gibe of the diapason

Gleam in the skies where the chained ones tremble and elope (hope for the Akasha)

Let me brace the luminescence of the crest  

 

Bridge I

Roars from Shedu lead me anon to the central summit of the whispering, Caduceus Order

This writ prepares myself to face the deplorable awe of the Abyss, which lies between Therion and Babalon

 

Verse III

Teach me to know purgatory, agony, yet to challenge that destiny

Teach me to know silence, forever, as I accomplish the act of extirpation

 

Bridge II

Heart: Hexagram: Vnvs Devs: Self  

 

Repeat Verse I

Repeat Bridge II

________________________________________________________________

 

PERSONNEL:
 

Proscriptor – Drums/Percussion, Maestro Echoplex & Voices (Protagonist/Dramatic Versus Omniscient/Interior Monologue)

Vorskaath – Analogue Synthesizers, Mellotron & Signal Generator

Vaggreaz – Electric Lead/Rhythm/Bass Guitar

Rune Eriksen – Electric Guitar Soloist

​

​

11. Tantrums Of Azag–Kkû

[Dorian/Eriksen/Givens/Williamson] {3:02}

 

Chorus
Azag–Kkû’s tempest carried forth spume

In those days, he gashed the temporal assembly

His amok mission delivered the di’u–disease

On middays, he bathed the welkin from blue to red

 

Verse I

Azag–Kkû Kima Mili Naru Ishup
The Azag–Kkû–daemon overwhelmed the people like the flood of a river
 

Repeat Chorus

 

Verse II

He trilled and whirled death on the orb like a storm

“Truculent Mehû!” cried the sietch (in essence, a tornado)

Amalgamated sag–gig entered their minds

                                     

Verse III

As the land–people were indisposed with the šanadûm–jaundice,
The spuming fardel continued to broadcast malaise

 

Bridge

Tantrums of Azag–Kkû: Di’u–Šuruppû

 

Verse IV

The incantations to repulse the acrimonious plaguer failed,

So the death–spirit continued to broadcast malaise

 

Repeat Bridge

 

Pre–Chorus  

The daemon has infected

The daemon has befouled

The daemon has defiled with maximum, absolute…flout

​

Repeat Chorus  

 

Post–Chorus
Amela Muttallika Kima Subati Iktatam

​

Post–Bridge

Tantrums of Azag–Kkû: Di’u–Šuruppû Šanadûm

________________________________________________________________

 

PERSONNEL:
 

Proscriptor – Drums/Percussion, Digital Synthesizers, Maestro Echoplex & Voice (Omniscient/Interior Monologue)

Vorskaath – Analogue Synthesizers & Mellotron  

Vaggreaz – Electric Lead/Rhythm/Acoustic/Bass Guitar

Rune Eriksen – Electric Guitar Soloist

Ezezû – Electric Bass Guitar

​

 

12. Every Watchtower Within Is The Axis Of A Watchtower Without including Totemic Thresholds[Dorian/Dorian/Givens/Gonzalez/Williamson] {5:45} 

 

Sacrament
Evoking The Turbulator
Provoking The Mantilla
Invoking The Atalaya

Verse I
Heat and expansion draws the air in red fire, (Southern Quadrangle)
As white djinns of the culminating mid–day guard the flaming sword
Cold, contracting wetness makes the blue sign, (West Sextet)
And the grey ghost assists the Adeptus (Graduum Montis)

 

Pre–Chorus
Vibrate Three Times, Gahoachma

 

Chorus

Odo Kikle Qaa Piap Piamoel Od Voanu

Post–Chorus
Zodakara Eka Zodakare Od Zodameranu

Verse II
Widdershins dissipate the morning light in the Eastern guise;
Therefore, (Parallelogram) the Red Philosophus grades the Zelator in feat
Black mages of the night, and watchtowers, (Antipode)
Rouse upon the totems and Pantacles (The Spectacles)

 

Pre–Chorus II
Vibrate Six Times, Onophis

                                     

Repeat Chorus

Repeat Sacrament

Conclusion
Hekas Hekas Este Bebeloi

________________________________________________________________
 

PERSONNEL:
 
Proscriptor – Drums/Percussion, Digital Synthesizers, Maestro Echoplex, Papago Flute & Voice (Omniscient/Interior Monologue)

Vorskaath – Analogue Synthesizers, Mellotron, Signal Generator & Classical/Acoustic Guitar

The Dark – Six & Twelve–String Acoustic Guitar

Vaggreaz – Electric Lead/Rhythm Guitar

Ezezû – Electric Bass Guitar

​

Miscellaneous

 

Akhera Goiti – Akhera Beiti (One Black Opalith for Tomorrow) 

Between the sunset's bloodstained veil,

Thy horned prospect reflects on me.

 

The he-goat above – The she–goat below

Cried through beads of mirrored tears

It fills the air! – It fills the air!

An atmosphere that hath no key.

 

I'm disguised by the kindle of nite and I can fill your liquid, glass heart

Grasp your cold–shaded breath and whisper the sign of the hidden stone

I'm in the circle and I am the shell that granted you the horns of All–Begetter

A fixed, starless vision and a sullen fabrication cursed the Sun of which our lustful ways are performed.

 

Bridge

Half of me is all of her

Hath no shower; hath no sol

Half of me is all of her

Hath no shower; hath no sol

Half of me is all of her

Hath no shower; hath no sol

 

Repeat Bridge

 

Chorus

Akhera–goiti

Akhera–beiti

Fantasies I realized

Dance of thorns, I thrive

For below the great abyss is a virtue contained in itself.

​

Repeat Chorus

​

"We shall eagerly expect one black opalith for tomorrow."

​

​

The Gold Torques Of Uláid

​

“I see you slippin’ away from my sight.
My vision is dwindling, it can’t be the night?”
The chivalrous dragoons race toward the line.
They bring crocks of barley, some honey, and wine.
“I am the Red Knight that charges with might!
I soar like a grey hawk I’ve seen in take-flight!”
The birds of prey land on the bleak river forks.
In their beaks, gripping, are three bloody torques.

​

It’s sad to remember those sickening years
that shed the tears – TORQUES OF GOLD
A dream of Earth, the dream of Seas,
we rode with spears – TORQUES OF GOLD
We brace ‘em bold – TORQUES OF GOLD
We’re wise, not old – TORQUES OF GOLD

​

The grey hawks flew in the mild, Southern wind.
The champions of the Red Branch Cycle defend.
“I’m Ross The Red of Ulaidh; I’ve never failed!
I’m the son, father’s the High King; we prevailed!
He saw you slippin’ away from his eyes.
His sight returned, as the night filled with lies.
“I weigh anchor hoist, ocean deep, then set sail.
I search for new Earth, Southern wind, and the gale.

​

WE’VE BEEN TOLD
YOUR PRIDE WAS SOLD,
SO FACE THE BOLD....
STRIKE!

​

Proclamation

FAR
...FROM HOME,
WE’RE
...SO FAR.

​

​

Hall Of The Masters

​

YOU HAVE SWIFTLY DISEMBARKED AT THE PASS
You smeared torment amongst all stocks of life
You, the spate, are ghastly for the decayed

You littered while ages past (in)
Mirage of conclave souls
You reverberated mirrors –
Figment of ancient Throk
You, tutor of the vaults, are the
Rash of forbidden forms

You have walked amidst the stars (in)
Glares of pewters
You have prepared
Gates at the Gulf
You, increaser of the pace, are
The Master of time dimensions

Bridge
Supplication of the dream
Granting haleness to the furtive light brigade
Abomination of the bond
Demolishing life's passing cycles in the...
HALL OF THE...

Bleeders will rise from the brume of R'lyeh
Victors will strike in a quicksilver sweat

You gnawed swiftly with scornful bite –
A terror of advent
You have illuminated three,
Perdu mazes
You, increaser of the pace, are
The Master of time dimensions

You stain the sphere of scream and screech
The Master of form and foulness

Chorus
Casting mantles of flesh of outward souls
Charms are torn by the injurious
Doom is at hand from an exposing door
Spawns have torn through the trustfulness